dad 'saves' me

i'm not sure i've got this right. selective memory colorizes and distorts. but here it is: dad was playing tennis at the club. 'the club' was what they called the shingled one-story building where you signed up for golf or tennis or watched Sunday movies or bought a lemonade or a sarsaparilla on your parent's tab. the club was located near the magic door entrance to Prout's Neck (home to Winslow Homer and many of the scenes he painted and eventually a summer retreat for the rich and social registered.) it's a beautiful, short thumb pennisula poking into the Atlantic off the lower coast of Maine. it's where my mom grew up and the locus of many first stirrings of the heart and of my imaginary world, including my first public performance on a piano, an upright in the hall at the club where we put on end-of-summer spectaculars on a rickety red-curtained stage. i played a faux classical self-composed 'piece' all by myself and was rewarded with room-papered applause. one mid afternoon, as i ambled across the narrow two-lane, sand-shouldered road in front of the tennis court where dad was playing doubles, i was hit by a car. the speed limit, anxiously observed, could not have been more than 10 mph. i was 14, in shorts, no pimples yet, bright-eyed and probably on my way to see a dirty friend. i was knocked to the ground and scuffed my knees. it was no worse than that. dad heard the screech of tires, flung his racquet, shot through the pine grove to my rescue and lifted me up in his arms. he was worried and red-faced angry. he was screaming at the driver who was probably someone he knew, or maybe not. it's unclear. but i know i was proud of him. proud that he rushed to my side, that he ripped that driver a new asshole. this was before the shit hit the fan with the wake of infidelities, the bottles of gin and vodka buried in the woodpile, the embarrassed, broken man he was later to become. i had forgotten about this day, this sunny blue sky afternoon at 'Proutsy Proutsy' as he called it. the place where he was silently blackballed for his loud mouth and drunken insults. but he was so cool that day and my narrow 14 yr old chest was filled up with the sight of him.

brothers

i love my sisters. we know each other in that profound way that only time and blood can develop. i depend on them for it. i never resented their gender or tried to convert them into boys, but i think, as i began, early on, to have boy crushes, some of those friendships may have been predicated on my desire for a bro. i've always wanted one, or two. someone to compete against. someone older as a sign-post scout, or younger, the kid i could look after and protect. maybe i bought the idea that brothers, when young, fooled around and in sexy innocence played with each other or in front of each other and found out what that tent in your pants was all about, but it goes deeper than that. i wanted someone (dad not being the greatest in the bonding department) to lock in with, to compare notes, to challenge my manhood or dispel/forgive my weakness. if i 'made' brothers (the way they 'make' members in the Mafia) it was with my first friends. we walked the forest arm-in-arm as if blood related, brothers by proxy. we could cut a finger, share the cells and belong to a soul river that we self-created. that's how technicolor those first glorified friends translated. i have your back, you have mine. in Lonesome Dove Augustus Mcrae and Woodrow Call are equal to this archetype. neither was complete without the other as a foil, as a measure against himself and as a trustworthy, truth-telling pair of eyes. man-love without sexual rising. that's who i wanted. a Captain Call or a Gus Mcrae in the next door saddle. i guess i found them, these part-time brothers past, present and future in the long trail of best friends. they sustain the parts of myself about which i'm ok: loyalty, directness, an open heart, a crazy imagination, a symbiotic view, a foolish leap off the cliff and a willingness to look like shit on any given day.

it is drunk

a girl slid off a bar stool at Doyles and melted into the floor. her unsteady, lean-on-whatever's-within-reach hobble to the exit was in slo-mo and hysterical to watch. i put my hand on a table as i choked back a laugh. the poor thing had no clue. tomorrow morning she'll be 'sick'. i sat next to an off-the-boat Irish kid at the Behan who had 7 empty pints of Guinness in front of him lined up like clay ducks. he was counting and gulping and midway through #8 i asked: 'how can you get away with this and not be out cold?'. 'i'm tough' he squinted. as soon as he drained the last pint his head hit the bar like a brick. an older woman drinking giant buckets of cheap Merlot was ok until she ordered 'just one more tiny li'l glass'. her phrasing clear as day until, when i checked back, i got this: 'erm moumph frun grad ur'. she had crossed the slur river into Neanderthal. an octogenarian and Very Proper Lady in high heels, a sparkly blouse with exaggerated eye-liner (improperly applied and smeary) was on her way to the ladies room. a low heel cracked under foot. she grabbed a railing in the nick of time. a waitress asked if she was alright. 'i'm fine,' she insisted, 'just a wee bit tipsy'. after 'tipsy' paddled her way into the loo the waitress rolled her eyes: 'tipsy?! my ass. she's hammered!' funny how we pretend we're not destroyed when everyone else can see that we are. just try to convince a drunk he's been shut off for his own good. he goes ballistic. if they're cute you put up with the vomit potential in hopes of a score, but inevitably pretty becomes not so pretty and you make your way home alone. on the other hand, one lame night in a glitzy bar in Amsterdam called 'It' as in 'look at it, she's gorgeous!' i'm drinking and staring and hoping and worked up all at once in this Dutch playground crammed to the gills with the young and the hot. a skateboard hero with a watercolor moustache is so drunk he 's propped up like an abandoned doll. his legs hang wide, his arms weigh a ton, his hands are engorged. he slouches against a mirror wall, nursing a vodka. every thirty seconds he belches. you can tell because his cheeks puff out, 'bluh.' his lips are parted and slippery behind a puke pout, puke breath, puke skin. one chartreuse bubble floats sadly in front of his Novocain face. i want to rip his clothes off but i keep to myself. 'it' wouldn't go over big at 'It'. it is drunk.

ass

because you sit on it for hours, it is rarely clean or smooth or pretty. ass topography is speckled with pimply red dots + cuneiform hairs. a hammock of water balloon flesh hides the under-ass parenthesis + worse - a shit chunk gets caught in ass hair, dangling like a tick in the jungle. a pristine shiny clear-skinned tight ass is a rare find indeed. it doesn't survive much past 14. which is why, after a few beers, a martini, a weed hit you blur the view + make it right. you ignore the spots, the dingle berry, the saggity ass + give it a squeeze or a bite + as for your very own back porch - it is next to impossible t take in. a twist in front of a mirror can offer a 3/4 snap, but gives no indication of how broad of beam or distended one has become. the stand-above-the-mirror-on-the-floor approach reflects an alien ass crack high on spider legs, walnut balls, a cock tip in a peek-a-boo, sweaty bush. without a friend with a camera you'll never see your fat ass the way it really looks. a friend of mine twirling out of the shower felt a soft slap on the back of her upper thigh only to realize that it was delivered by her very own cheek. a blubbery wet buss. it made her laugh, but she was horrified. i think asses begin, unless belonging to an athlete or a ballet dancer, to find gravity in the late twenties + even if it's a tight ass, it becomes a dirty ass. it's been sitting on itself long enough to accumulate a collection of creases + black heads. if yr lucky yr boyfriend or girlfriend will pop n scrub n smooth you out like a soap stone. but the thing is, no matter how disturbing this part of the body might be, we're interested. we look. maybe face first, or tits, or crotch, but a nice shot of a nice ass in blue jeans will not be ignored. a kid walks by, you turn + you look (nervous that you might be caught + hoping at the same time he wants t see if you wanted t see + you both hide behind a fluttering japanese fan + a faux 'what you lookin' at?' pissed-off face). still, you look. you always will. the way an ass walks is an action miracle. male or female. a big hefty left, right, left ass-in-a-dress is a fellini spectacle worshiped for centuries. + how many tourista walk all the way around the statue of david just t catch a glimpse of that forever young rear end? maybe, unless you're a total pedophile, a dirty ass, a be-zitted bum, an ass crack with pubic seaweed sprouting out like gunfire, is hot as hell. we all have our favorites. we all fantasize about how so n so's will look out of shorts or stepping out of the shower. we can't help it. we even watch each other watching. it gives us a snort. still, there are some asses impossible to imagine. on some, there's no movement whatsoever, or what appears to be no ass at all, just a plumb line from upper back to legs, or, weirdly, an indentation - as if there's a vacant lot where on others actual chub bounces along with a smile. i would kill t examine, like an archeologist, one of these ass negatives in the flesh.

old fans

can identify in my raw face the reflection of the rock dude in leather pants humping a monitor at the Channel, the Rat, CBGB's. they connect with a persona and with a band that no longer has anything to do with me or with what i am working on now. how do i react? not well. i try to not be rude. i smile and nod, but in the background smirks embarrassed discomfort. my first encounter with this phenomenon happened when i came home my sophomore year from college. it seemed that many of my high school friends were trying to relocate the person i'd been, the person they remembered but who was no longer wearing those ratty, down-at-the-heel loafers. they seemed to want me to put 'em back on. 'c'mon, rick. this ain't you!' in some ways we never change, not deep down. the overcoat of identity masks the Essential Self from all but the most observant. we are comfortable in the personality-of-the-present, but we don't like it if we can't shed skin, if the butterfly can't liberate itself from the chrysalis. that's why i become distant at holiday reunions and blame the hard eyes of old friends who are convinced i haven't changed, when, in fact, i had, in a thousand ways. i couldn't be 'read' or i didn't want to be. my emotions were covered with bruises and that was the problem. when i seemed to 'not be into girls that much' it worried my high school pals. they didn't get it or didn't want to. my new friends at Yale thrived on an honest playing field. i'd stopped being the make-'em-happy-president-of-the-senior-class boy who knew in his homo heart that he had fooled everyone, including himself. to be back home was like staring into a fun house mirror and despising the distortion. and so it is with fans. even new ones. they like a song i never play any more. they treasure on a dusty shelf a record i can barely recall. not long ago i ran into a woman who as a teenager was fanatically devoted to one of my bands. before shows she'd appear back stage with some wild object she'd decorated meaningfully and given to us with all her heart. sadly, i not only failed to recognize her, i had no memory at all of any incident or interaction or gift. it had all gone down the brain drain. i felt awful. i did not live up to her nostalgic day dream. i'm hardly a big shot in the music business. i am, at best, a small fish in a small Jamaica Plain pond, known, but not iconic. which is fine. i like how it is. mostly i like what i'm working on at present and am well over my archives. so forgive me, whoever you are, if i have that vacant look when you say hi, when you remember when. i have long since thrown out the leather pants or the see-thru blouse or the lead vocal stomp. i do sincerely appreciate your post card recollection. on a rare occasion when i listen to a record i made 20, 30 years ago, i am moved by the spew of memories, jokes, arguments, colors and scenes. one thing does bother me, however. i wonder when it's a guy, say, in his 40's with kids? 'did i hit on you back then?' because the boy he used to be is now scatter-eyed, losing head hair and has a pig gut. maybe he was fond of the attention. maybe, in retrospect, he'd actually wished i'd tried t get into his pants. or maybe because i didn't, he respected me, but worries about his shy son standing just behind him. all of this in my cob-webbed attic over something as shallow as being recognized as The Rick Berlin.

secrets

'if i tell you this you won't tell anybody else, ok? cuz i've never told this to anybody ever'. i promise when they ask, but why me? is it the Uncle Homo syndrome (he has to be discreet because he had to hide his 'nature' all those early years and will get it about secrecy)? do they unload because i have a rep? i leak and they want it told to others. they want the dead fish pried out of their gut and onto the street. these confessions remind me of the criminal who is driven to tell a girlfriend, a cell mate, a lawyer, a brother so that he or she will unlock him from the prison of his guilt. so yes, sometimes i break my promise. i slip a velvet whisper into a safe ear just because the secret is nasty, funny, or impossible to keep. i insinuate permission. on the other hand i hide a handful of privacies who's lock box has never ever been violated. some are mine, some belong to friends, or strangers. they live inside my head like a child hiding in the basement, safe but wary. secrets begin in childhood. they begin the first time you realize that mom and dad are not god and that they don't know everything there is to know about you. they don't see you walk out of a barber shop with a comic book that doesn't belong to you. they don't catch you flipping through dad's Playboy unmoved by Marilyn's juicy tits. they don't know what happened between you and your next door neighbor out in the barn. you are out of range from mom and dad's all-seeing eye of Saruman. this began for me when i realized that Santa Claus was a fiction. that he smelled of booze and had a voice like Uncle Karl. i didn't say anything about it because i hated the truth. i didn't bring it up with my sisters because they were younger and living the magic of Christmas. i kept doubt to myself until i met my first best friend. he was the first person i told things to i never told to anybody else and with whom i did things i never did with anybody else. things that were secret. secrecy is a part of love. my first best friend was the first person i ever fell in love with even if i couldn't use those sacred words. i thought about him when he wasn't around. i felt differently when i touched his arm and when he leaned against me. i was hurt when he criticized. my heart leapt when he laughed. it was the secret of how i was with him that changed me, made me feel new, re-invented, bursting with light. which is why, later on, a love affair gets it's charge from secrecy, from a dream world enshrined in a cathedral built, brick by brick, with the person you love. why, early on, i didn't want to use the 'l' word until i was sure. i didn't want to jinx the miracle with a silly verb. i didn't want my friends to be in on what was happening or to break love down into shards of demeaning transparency. if all secrets are known then magic evaporates in a torch light that exposes worms and rust and insects.

got physical?

we all know what this means: ye olde finger up ye olde bung hole. we think about it on the way there. will he forget? would we remind him? does he look forward to it, or does he resist? will there be a smudge spot left on the paper afterwards to be scraped up by an orderly? will he, this time, find a brocoli-sized nub in there to be burned out, sliced up and scare the be-jesus out of us? will it be time for that loathsome unit, the black snake? trapped for days with nauseating gulps of Gator Aid, CVS enemas and a nurse reminding us that 'the drugs are awesome'. you think about it, all of it, if time is on your side or if it's not and you realize, as the clock winds down, that these visits will increase. that bad news will begin to happen to your body. that fear will intrude on sane reflection, that on a sunny day it might rain. so far i've been lucky in the doctor/diagnosis department. for the last 10 years i've had the same primary with the same 'you're fine' salute. he's thorough. he spends more than the alloted HMO hurry-up, he has seen me through minor worries and reads me like a country doc. like the honest auto mechanic who gets the difference between silly and serious, my guy never advocates procedures or drugs that won't heal or help. sadly, he has transfered to Florida. good for him, but not good for me. my most recent annual is with a new dude who has, as the President might say, a 'funny name'. as soon as he comes through the door to check me out in my reverse blue-green house dress, my heart jumps. this guy drop dead resembles the phony interns i've seen on porn sites. the ones who 'examine' their hot young patients, heart, lungs, glands, only to eventually jerk them off into oblivion. the 'patients' mildly resist until they let go all over the place. i'm doubly in doubt about my new guy when i notice his long eyelashes and borderline lisp. 'uh oh' i'm thinking, 'the prostate check is gonna be weird'. he snaps on the rubber glove like Nurse Ratched and is in and outa there like a mouse to the cheese. whoa! the doc has skills. he wraps up the look-see, says i'm in good shape and informs me that in one year's time he, like my previous primary, will be moving on. i'll have to hunt and peck another fella (or woman?) to do the probe based on a name, a funny name.